They preferred the Middle Ages to the progress of the Industrial Revolution. The painters of the Pre-Raphaelite Brotherhood were true revolutionaries. In 1848, John Everett Millais, Dante Gabriel Rossetti and another five students at the Royal Academy began signing their paintings with the initials PRB, shrouding this acronym in mystery. Behind the Pre-Raphaelite Brotherhood lay the allure of Dante and the cursed stories of Shakespeare, the poetry of Keats and the vastness of the Bible. These were the arms employed against the hated Academy, where painting languished in the cages of convention. And Raphael? The artist from Urbino was considered the first perpetrator of the destruction of art, having spoiled it with affectation. It was necessary to get back to the origins, follow the lead of the primitive Italians. Young, audacious, bohemian, the Pre-Raphaelites scandalised England with their non-conformist life-styles. Then the group vanished along with its secret name, leaving a lasting influence behind. It is quite evident looking at the paintings at the Tate Britain - in no time at all, the rebels of Victorian England left their mark with masterpieces such as Ophelia and The Lady of Shalott, changing art history from illustration to photography.
Shonibare's new works focus on the themes of migration and the conflicts that cause it, and opens a conversation on the role of public sculptures and their meaning in our cities.
An exhibition dedicated to visionary collector Patric D. Prince's unique collection of digital art and the fascinating collaborations and use of technology it reveals. The 14 works on display provide a snapshot of digital art practices from the 1960s to early 2000s.
A major exhibition at the British explores the final years of Renaissance Master Michelangelo Buonarroti's life by focusing on how his art and faith evolved through the shared challenge of aging in a rapidly changing world.
The Hay Wain is a painting by John Constable, completed in 1821, which depicts a rural scene on the River Stour between the English counties of Suffolk and Essex. It is regarded as "Constable's most famous image" and one of the greatest and most popular English paintings of all times.