When Henry Gordon Selfridge built his huge department store in the West End, shopping for Londoners would never be the same. The first to understand that shopping could be a fun, seductive and multi-sensorial experience, the U.S.-born businessman was a true pioneer. The majestic Edwardian building on Oxford perfectly reflected the personality of its founder, whose only modest aspect was his height. When television was yet to exist and cinema was in its infancy, Selfridge entertained his clients better than an expo, almost like a ballroom, with a particular eye towards women. His stores, it was often said, were the “third tourist attraction of the capital” after Westminster Abbey and the Tower of London. The attention given to the window displays, “the bargain corner” and the habit of placing perfumes and cosmetics just within the entrance are just a few of the innovations credited to him. The secret was to offer a dream to every customer and, above all, never stop. In 1938, for instance, elevators were installed on Oxford Street that, in themselves only, warranted a visit to the store - the clients could shuttle up and down to various departments in bronze and cast iron boxes designed by the famed Edgar William Brandt. Today, it is possible to admire these at the Museum of London, with decorations inspired by the signs of the Zodiac, as well as exotic Japanese-inspired Swans.
Five decades of iconic Country music photography from photographer Alan Messer as he presents his historic collection that captures the hearts of Nashville legends.
An exhibition to show how fashion photography has moved past the simple presentation of product lines to reflect on the reality of our lives, to explore our aspirations and to push at the boundaries of creativity.
Simone Martini and the great fourteenth-century painters of Siena
Simone Martini, Duccio di Buoninsegna and the brothers Pietro and Ambrogio Lorenzetti are the protagonists of an exhibition at the National Gallery dedicated to painting in Siena in the first half of the fourteenth century.
The colors of Craig-Martin, master of conceptual art
An exhibition dedicated to Michael Craig-Martin, one of the most influential artists and teachers of his generation and whose works blend pop, minimalism and conceptual art in a riot of colour.