When he became a member of the Royal Academy Schools, Turner was 14 years old and was already known to the public because of his father. William Gayone Turner, barber and wig-maker, was so proud of his son that he would sell his works of art at his shop in Covent Garden. For his first presentation at the Summer Exhibition in 1790, the painter had chosen his first oil on canvas, a turbulent seascape. Fishermen at Sea fascinated for the dramatic light of the moon and the great virtuosity which gave the admirable illusion of the boats floating, suspended by the thrashing waves. In the future, the Master who elevated landscape painting to such a level as to have it compete with historic paintings in terms of value, went on to exhibit his works at the Royal Academy of Art for his entire life, in contention with Constable for the top spot of landscape painters. Turner often took advantage of the inaugural day of his exhibitions to add final touches to his paintings, an opportunity for an enthusiastic public to watch him transform his pieces before their very eyes.
Freedom and discipline. Two words apparently very distant from each other which for Antony Gromley are a topic of investigation in his search for balance between the body's need to migrate and the organized superstructures of human societies.
The exhibition showcases rarely-seen works and offers a glimpse into future projects to be undertaken by the estate of the artists. Christo and Jeanne-Claude: Boundless introduces visitors to the couple’s seminal projects, ranging from their early collaborations to monumental masterpieces.
Auerbach's heads emerge from the darkness of the charcoal as vital and very alive, having gone through a long period of struggle - the image repeatedly created and destroyed. For the first time Auerbach's extraordinary post-war drawings will be brought together in one exhibition.