The 18th Quadriennale d’Arte presents itself as a collective journey into Italian art of the new millennium, featuring 54 artists - 16 under the age of 35 - and no fewer than 45 first-time participants. Titled Fantastica, the exhibition unfolds across five sections, each entrusted to a different curator, exploring key themes of contemporary creativity. Luca Massimo Barbero reflects on self-portraiture as self-representation and a mirror of fluid identity. Francesco Bonami envisions “autonomous rooms” for each artist, independent spaces without the need for a unifying narrative. With The Time of Images, Emanuela Mazzonis di Pralafera examines the pervasiveness of photography, poised between reality and fiction. Francesco Stocchi curates a deliberately untitled section, where the exhibition itself becomes a collective artwork. Finally, Alessandra Troncone addresses the notion of the unfinished body - human, animal, or mechanical - as an open field for new identities and possible futures. A mosaic that captures the vitality and plurality of today’s Italian art scene.
Beginning today, VIVE, the association that oversees Vittoria and Palazzo Venezia, launched a new initiative to restore the sculptures on the monument to Victor Emanuel II, or Vittoriano, thanks to funding from Bulgari. The project reflects Bulgari’s link to the Eternal City and devotion for preserving its treasures for future generations. The site ...