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Lokasi: Palazzo Reale
Alamat: Piazza del Duomo 12
The visionary art of Francisco Goya is revealed in Milan in a major exhibition. About 70 works by the great Spanish painter arrive at Palazzo Reale from the Real Academia de Bellas Artes de San Fernando in Madrid: paintings, drawings and engravings, including his most famous masterpieces, to be admired in an exhibition that traces his entire career. In the foreground, the humanity and depth of Goya's soul, the surprising ability to open up to modernity already in the eighteenth century while remaining integrated in his time. First court painter, director of the Royal Academy, a cultured man of uncommon sensitivity, in his art Goya restores a historical season saturated with events, ranging from the French Revolution to the Napoleonic Wars, up to the Restoration: an era of disruptive transformations that it is reflected in the subjects of the works, but above all in a radically innovative painting, which breaks with the rules and models of the past.
The Diocesan Museum will host the extraordinary compartment of the Silver Cabinet dedicated to the Stories of the Childhood of Christ, coming from the San Marco Museum in Florence, which houses the largest collection of works by Beato Angelico, one of the greatest painters of the Italian Renaissance.
Put an American in Milan. Suzanne Jackson in dialogue with Italian art
Suzanne Jackson is an American artist whose practice embraces a broad field of inquiry that explores the potential of painting and is nourished by experiences in dance, theater and poetry.
Matisse e Bonnard... dialogo tra capolavori 43 / 5.000 Risultati della traduzione Risultato di traduzione Matisse and Bonnard... dialogue between two masterpieces
Henri Matisse's masterpiece, Femme au violon, is exhibited in Room XXIII next to the Portrait of Marta Bonnard by Pierre Bonnard, in a special "chat" between two artists who had a special relationship between them as well as shared characteristics and pictorial themes .
On Display, Lullaby, the Work of Cattelan for the Massacre of Via Palestro
In the salon of GAM, a short walk from the location of the attack, the installation dialogues with the Quarto Stato of Pellizza da Volpedo, offering, in one look, the trajectory of the 1900s.