Jadwal: Tue 11 am - 9 pm | Wed - Sun 11 am - 7 pm | Mon closed
Lokasi: Jeu de Paume
Alamat: 1 Place de la Concorde
The Jeu de Paume presents an exhibition exploring the relationship between image and feeling through over a century of photography. The exhibition investigates how a seemingly superficial medium can instead narrate interiority, the emotional moment, and the gesture that betray the presence of an emotion. Through a thematic, rather than chronological, itinerary, the exhibition brings together art, documentary, and scientific photographs, alongside anonymous shots and archival materials. The sections address how emotion manifests itself in the face, the body, or movement, and how photographic technique - from exposure time to digital post-production - can amplify or dissolve the perception of feeling. The exhibition invites us to interpret photography as a language capable of making the invisible visible, of capturing what escapes: a tremor, a hesitation, a moment of intensity. The broad time span, from the 19th century to contemporary research, illustrates the variety of approaches with which artists and scholars have sought to understand the changing nature of emotions. On the occasion of the bicentenary of photography, Une histoire photographique des émotions offers a reflection on its most fragile and universal dimension: that which unites vision with human sensitivity, recalling that every image is, ultimately, an emotional trace of time.
At the Palais Garnier, the Ballet of the Paris Opera presents Empreintes, an evening of new works by Morgann Runacre-Temple, Jessica Wright and Marcos Morau, bringing together dance, image and new technologies.
One hundred years after Monet’s death, the Orangerie reconsiders his work through the lens of time. From the 1890s series to the Water Lilies, painting emerges as a process based on variation and continuity.
The first major retrospective in Paris dedicated to Henry Taylor. Around one hundred works showcase the American artist's painting, built around portraiture and the depiction of everyday life, intertwining personal memory, African-American history, and a dialogue with modern tradition.
The retrospective at the Musée d’Art Moderne de Paris retraces Lee Miller’s path from Surrealist experimentation to wartime photography. From the 1930s to the European front, her work reveals a lucid and uncompromising gaze. A body of work that brings together personal experience and historical testimony.