Alamat: 26 Av. de l'Europe, 93350 Le Bourget, Francia
The exhibition Walter De Maria: The Singular Experience offers a compact yet incisive reconsideration of an artist who redefined the relationship between measurement, form and perception. The presentation highlights the radical nature of his research, grounded in numerical sequences, rigorous geometries and an understanding of space as a physical encounter before it is a visual one. Sculptures and serial works converse with films and drawings that reveal a practice far less easily categorised than its usual association with Land Art suggests - De Maria emerges as an artist capable of merging mathematical precision, metaphysical tension and a subtle irony that destabilises any sense of certainty. At the core is the idea of a “singular experience”, conceived as a direct form of engagement in which viewers are invited to confront works that resist passive observation and instead demand an active presence. The exhibition conveys the complexity of an artist who treated form as discipline and perception as a field of freedom, allowing an energy to surface that still challenges the ways we look at, measure and inhabit space.
At the Grand Palais in Paris the exhibition D’un seul souffle by Claire Tabouret presents life-size models, sketches and preparatory work for the six new contemporary stained-glass windows she has designed for Notre-Dame Cathedral, offering insight into a work in progress.
At the Jeu de Paume, a major exhibition retraces the history of emotions through photography. From the 19th century to today, a journey into the invisible and sensitive side of the image.
The Musée des Arts décoratifs marks the centenary of the 1925 Exposition with an extensive survey tracing the origins, evolution and legacy of Art Deco. One thousand works, from furniture and glass to fashion and design, illustrate a movement that fused craftsmanship and industry, modernity and luxury.
At the Grand Palais in Paris, from March 24 to August 2, 2026, a major retrospective explores the final Matisse. More than two hundred works show how illness and immobility turned into creative energy. The cut-outs emerge as his silent revolution, redefining the relationship between color, form, and space.