The British Museum holds an important collection of prints and drawings by Rembrandt van Rijn, one of the greatest and most prolific artists of all time, known for his portraits and his use of light in his works. And yet, few are aware that the master’s works were not always greeted with praise during his life. An acute observer of the natural world and the female body, Rembrandt transgressed the artistic conventions of his times, depicting women’s nude bodies in a very, perhaps, too realistic way. One example is his drawing of Diana, the chaste mythological Goddess of the hunt, classic example of beauty. Inspired by one of his live models, Rembrandt depicts Diana surprised in a private moment, with her flaccid and wrinkled skin quite visible. A raw stylistic choice that provoked harsh criticism towards the master. Shortly after the death of the artist, the Dutch poet Andries Pels affirmed that Rembrandt had deliberately chosen to depict a “vulgar farm-girl” rather than a “Grecian Venus”. The British author Benjamin Robert Haydon declared that the “notions of Rembrandt about the delicate forms of women would have scared a polar bear.” The collection of prints and drawings by Rembrandt may be visited by appointment only because of the sensibility of the paper works to light.
The first large exhibition in the United Kingdom which explores the theme of sin in art, reuniting works that span centuries, including artists such as Bruegel and Velázquez, Tracey Emin and Andy Warhol.
The Tate Britain Winter Commission 2020 is Ready for Its Debut
Pop culture and Indian traditions come together in the art of Chila Kumari Singh Burman, activist and feminist who made fantasy her own personal flag. How will she transform the facade of the London museum?