The Chapel of Sant’Aquilino Returns to its Former Glory
일정: Mon - Fri 8.30 am - 6.30 pm I Sat - Sun 9 am - 7 pm
티켓: Free admission
이메일:
위치: Basilica di San Lorenzo Maggiore
주소: Corso di Porta Ticinese 35
“One of the most beautiful churches in the world” - that is how the writers of the Middle Ages saw the Basilica di San Lorenzo Maggiore, extraordinary witness to the years in which Milan was the capital of the western Roman Empire. We’re accustomed to seeing it from outside, walking through its columns which have become emblematic of the city’s nightlife and, yet, San Lorenzo holds a surprising treasure - the Sant’Aquilino Chapel, having just undergone a complex series of renovations. Architecture, murals and precious mosaics, all compelling witnesses to paleo-Christian Roman Milan. The origins of the Chapel pre-date those of the Basilica, born as an imperial mausoleum, probably thanks to Queen Galla Placidia, it was then dedicated to San Genesio and, then, to the priest and Martyr Sant’Aquilino, whose remains are still held there in a silver and quartz urn. Originally octagonal in structure, broken up by niches, with frescoes in the apse and the stucchi of the dome, visiting the Chapel is like traveling back in time. However, nothing compares to the splendour of the mosaics which originally almost entirely covered the walls with depictions of Celestial Jerusalem, life-size depictions of the Patriarchs of Israel, the Apostles and the Martyrs, among golden pillars lined with gemstones.
Internationally recognized for her combined use of painting, moving image and sculpture, the Vietnamese artist creates dreamlike and poetic narratives that trace the history of her country in relation to contemporary environmental and social changes.
The maestro conducts the Filarmonica della Scala, in the closing concert of the symphonic season. Zubin Mehta will be engaged in Messiaen's Turangalîla-Symphonie with the participation of pianist Yuja Wang.
Until recently, China seemed like a remote, distant, mysterious place. Revealing itself, it has suddenly upset all the hierarchies consolidated up to now, from a historical, social and economic point of view but also from an artistic and cultural point of view. Suddenly everything that happens in China also affects us, directly or indirectly.