The Canaletto Collection at the Queen's Gallery in Buckingham Palace, Image from the film <em>Canaletto in Venice</em>, 2017, By David Bickerstaff and Phil Grabsky | Courtesy Nexo Digital
To the English travellers visiting Venice, the paintings of Antonio Canal must have seemed like splendid souvenirs. Thus, Canaletto-mania broke out across the Channel. In a few years, thanks to the art merchant and theatre impresario Owen Swiny, British aristocrats could embellish their estates with spectacular visions of the Serenissima. With the aid of an optical device, Canaletto offered his demanding public postcards of the Lagoon long before the invention of photography - from Piazza San Marco to the Canal Grande to the Palazzo Ducale, his brush turned out vivid and indelible depictions of the marvels of the Grand Tour. Then, the banker, collector and British Consul to Venice, Joseph Smith, took the artist under his wing. The canvases flowed copiously into the kingdom of George III who, in 1763, bought the entire collection of Smith. Approximately 50 paintings, 150 drawings and 15 rare engravings by Canaletto entered Britain’s Royal Collection where they can be found today. From the walls of the Queen’s Gallery, they invite visitors to Buckingham Palace to travel through the Venice of the 1700s, among gondolas bobbing upon the water, unmistakable architecture and masterfully depicted perspectives.
The Wonders of the Yoshida Family, Japanese Master Engravers
At the Dulwich Picture Gallery an exhibition that puts the spotlight on three generations of woodcut artists and will trace the evolution of Japanese printmaking across two centuries.
Human incursionsand industrial transformations in the photography of Edward Burtynsky
The largest exhibition ever mounted in the 40+ year career of world-renowned photographic artist, Edward Burtynsky, who has dedicated his practice to bearing witness to the impact of human industry on the planet.
An exhibition to explore the creation of Parmigianino’s The Madonna and Child with Saints, also known as The Vision of Saint Jerome. It returns to public display for the first time in 10 years following conservation.
Darren Almond uses sculpture, film and photography to produce works that harness the symbolic and emotional potential of objects, places and situations, producing works that have universal and personal resonances. Today he works on the "sense of time".