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Discovering them, in a closet in a house in Banagher, in Ireland, grooved with lines, having been folded for a long time, was M. A. Nicholls, second wife of the widow of Charlotte Brontë. The news was greeted with amazement as it was thought that the portraits of the Brontë sisters had been lost forever. It was March 6, 1914 and the front page of the popular magazine Daily Graphic announced the important news, “The Romantic Discovery of the Lost Brontë Portraits". Along with the article, the illustration of some visitors inspecting the two damaged portraits of the Brontë sisters, hung for the first time at the National Portrait Gallery. The rediscovery of these works, considered long lost, made a great story and the public was wild about it. Both works were painted by Branwell Brontë, brother of Charlotte, Emily and Anne. That of Emily is the only surviving image of a larger group portrait which included the other sisters and Branwell, depicted brandishing a pistol. It was also rather unusual that the museum would buy such damaged portraits and there were many heated arguments over their quality. The first day of their exhibition at the National Portrait Gallery, there were so many visitors that, according to the Yorkshire Observer, the museum “suffered a minor siege”. These two paintings are still among the most popular anywhere in all of London.
Samuel Courtauld called it "the most wonderful painting in existence." Flaming June by Frederic Leighton is one of the masterpieces of Victorian art and one of the most valuable paintings in the Museo de Arte de Ponce in Puerto Rico. It returns today to the Royal Academy in London where it was first exhibited in 1895.
Portraiture has played a vital role in shaping the public's perception of the royal family in Britain. This exhibition chronicles the evolution of royal portrait photography from the 1920s to the present day, featuring over 150 image prints from the Royal Collection and Royal Archives.
Georg Baselitz marks his return to White Cube Bermondsey for the first time in eight years with solo exhibition A Confession of My Sins. The exhibition features large-scale paintings and a selection of works on paper in which the artist, now 86, traces the last six and a half decades of his practice.