Five artists - aaajiao, Noh Sangho, Rao Weiyi, Tan Mu, and Wu Ziyang - confront the limits and opacities of generative technologies. The exhibition, inspired by Borges’ short story The Circular Ruins, explores the idea that even the creator might be an illusion. Glitches - seemingly accidental faults in digital systems - become spaces for critical revelation. Noh Sangho stages characters trapped in an endless loop of faith and data; aaajiao transforms the screen into a membrane between the digital and the corporeal. Tan Mu reflects on the invisible infrastructures of memory, while Wu Ziyang constructs a sci-fi archaeology of the present. Finally, Rao Weiyi paints intimate scenes that resist digital alienation. Rather than seeking mastery over AI, these artists embrace ambiguity, creating works where error and fragmentation open pathways to new possibilities.
Pixels and Nostalgia: Huang Heshan’s Visionary Journey Through Ruins and Virtual Reality
A time-traveling boat, a digital goddess, and a surreal city: with Too Rich City, Huang Heshan turns urban memory into an immersive, poetic experience. An act of art and virtual resistance.
AUUUUDITORIUM: where study is movement, circulation, redistribution
AUUUUDITORIUM is an innovative and constantly evolving project that challenges traditional methods of knowledge production, redefining "study" as a collective and diverse inquiry that includes dialogue, movement and shared experiences.
The Qizhong Forest Sports City Tennis Center will host the Shanghai ATP Masters 1000. The world’s top players will compete on hard courts in a key event on the road to the Nitto ATP Finals. Among the stars: Sinner, Alcaraz, Djokovic, Zverev, Medvedev, and Rublev.
.JPG/jcr%3Acontent)
