Five artists - aaajiao, Noh Sangho, Rao Weiyi, Tan Mu, and Wu Ziyang - confront the limits and opacities of generative technologies. The exhibition, inspired by Borges’ short story The Circular Ruins, explores the idea that even the creator might be an illusion. Glitches - seemingly accidental faults in digital systems - become spaces for critical revelation. Noh Sangho stages characters trapped in an endless loop of faith and data; aaajiao transforms the screen into a membrane between the digital and the corporeal. Tan Mu reflects on the invisible infrastructures of memory, while Wu Ziyang constructs a sci-fi archaeology of the present. Finally, Rao Weiyi paints intimate scenes that resist digital alienation. Rather than seeking mastery over AI, these artists embrace ambiguity, creating works where error and fragmentation open pathways to new possibilities.
Yanis Khannoussi and the Echo of Absence: Sculpture as Living Memory
For his first solo show in China, Yanis Khannoussi unveils a series of sculptures that turn absence into form, exploring themes of memory, time, and infinity. A journey through matter and metaphysics, where loss becomes visible through poetic geometry.
Irena Haiduk transforms the Rockbund Art Museum into a participatory set where art, fiction, and reality intertwine. A film in progress that invites the public into a new narrative economy.
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