Gentlemen from all over London, united under one insignia - White’s Club. And to think that England’s oldest club, founded in 1693 by an Italian, the Veronese Francesco Bianco - anglicised as Francis White - was once merely an Emporium specialising in hot chocolate. It was called White's Chocolate House and it was located at number 4 Chesterfield Street. However, in the XVIII Century it was transformed into an exclusive club, becoming a gambling house frequented by the so-called “White players”, then becoming, over time, well-known for its exclusive nature. In 1778, it moved to number 37 on St James's Street, where it remains today. Built out of Portland stone with a slate roof, the five-story building has a Victorian-Era Palladian facade, embellished with French motifs. At the end of the ‘70s, the outside was painted blue with white trim. In 1981, Prince Charles - one of today’s most illustrious members - celebrated his bachelor party there before his marriage to Lady Diana, while Prince William became a member shortly after his birth. Today, it is considered by many as the most exclusive club in London, with members such as Charles, the Prince of Wales and Prince William, the Duke of Cambridge. Besides White’s, London has several other Gentlemen’s clubs, such as the exclusive Annabel's, the Groucho and the Arts Club.
Lee Miller was one of the most sought-after models of the late 1920s. She quickly moved behind the lens, becoming a leading figure in the avant-garde scenes of New York, Paris, London and Cairo. An exhibition at Tate Britain celebrates her extraordinary career.
In 1924, the V&A received a gift of over 80.000 playbills, programmes and objects from collector Gabrielle Enthoven. The gift marked the beginning of the museum's collection of theatre material, which has since evolved into the UK's National Collection of Performing Arts.
Marking the 250th anniversary of their births, a landmark exhibition explores the intertwined lives and legacies of Turner and Constable, two of the most important 19th-century British landscape painters.
An exhibition celebrates Edwin Austin Abbey, a 19th-century American artist, showcasing his study for the monumental work The Hours created for the Pennsylvania State Capitol.