While it took five centuries to build the Duomo, Milan is also capable of changing its face in a mere decade. Since the early years of the 1900s, Milan has been the most dynamic testing grounds of architecture in all of Italy - from the Central Station to the Pirellone, modernity has a home here, exploring new ways of urban living. The first big revolution came after World War II. Reconstruction was a top priority, but the boom of the ‘60s was already percolating in town - architects like Gio Ponti, BBPR, Aldo Rossi, Giovanni Muzio gave shape to the “Milan Style”, creating buildings in the city such as the Pirellone, Palazzo Montecatini, Ca’ Brutta and the Torre Velasca. Creativity, education and industry were the points of a triangle that attracted the best talents of Italian architecture and more to the city. And this dynamism has come back to the fore over the last decade, riding the wave of Expo 2015. The pioneering residential projects of City Life and the Bosco Verticale, the Porta Nuova Complex, the headquarters of the Fondazione Prada, Feltrinelli and Mudec are just a few examples of a pleasurable revolution. And it is happening at the hands of internationally famed “archi-stars” with whom the city has created a preferential rapport - from Renzo Piano to Rem Koolhas, from Zaha Hadid to David Chipperfield, but also David Libeskind, Arata Isozaki, Herzog and de Meuron and Grafton Architects. And, of course, homegrown talents like Cino Zucchi and Stefano Boeri.
Nicolas Party's wonderful creatures under the threat of extinction
In the last year Nicolas Party's imagery has evolved: he has painted large forest fires and dinosaurs. When Tomorrow Comes establishes a clear connection between the work and the idea of extinction. The end of humanity and many other species is the artist's theme of interest.
In her practice, Sang A Han explores oriental painting in its contemporary adaptation. Soft sculptures and layered paintings made with Meok (China ink), cotton fabric and stitching are the result of an intimate revisitation of tradition through a creation process that the artist herself defines performative.
Adrian Piper. Adrian Piper and racism in contemporary visual culture traitor
The first European retrospective in over twenty years dedicated to Adrian Piper, conceptual artist, minimalist and performer in the New York art scene of the late Sixties.
Over 200 shots, including over 60 medium and small formats, chosen and selected by the author and presented together with an unpublished interview, retrace the career of one of the most famous contemporary photographers.