In the Garden of History - the Botanical Garden of Brera
Местоположение: Orto Botanico di Brera
Адрес: Via Privata Fratelli Gabba 10
There is an oasis of green in the heart of Milan. Among the shops and majestic buildings of the historic neighbourhood of Brera, there is an ancient garden where, as early as the 1500s, monks cultivated vegetables and medicinal herbs. It was Arch-Duchess Maria Teresa of Austria who transformed it into a botanical garden in 1774 with an ambitious project to promote agriculture and art. Here, young students learned about the plant world and plants were grown for Brera’s nearby Spezieria or spice-works. A few decades later, Napoleon brought along exotic and ornamental plants and the Orto Botanico became a meeting place for all of Milan’s citizens. Today, the garden is home to scientific studies, but also a beautiful “living museum”, just a stone’s-throw away from the Pinacoteca of Brera. Restoration work in 2001 brought to light its original configuration, with two elliptical basins, an arboretum and overflowing flowerbeds. With truly useful herbs, rare species and greenhouses for tropical plants, there is a precious collection of hydrangeas and two Gingko Biloba that, at the ripe age of two-hundred-and-fifty-years old, represent the patriarchs of the garden.
Through a series of installation interventions, spanning works of art and exhibition elements, Haris Epaminonda presents a symbolic journey in comparison with the historical avant-gardes of Futurism.
In her practice, Sang A Han explores oriental painting in its contemporary adaptation. Soft sculptures and layered paintings made with Meok (China ink), cotton fabric and stitching are the result of an intimate revisitation of tradition through a creation process that the artist herself defines performative.
The exhibition presents an in-depth and original approach to Brassaï’s oeuvre through over 200 vintage prints, with particular attention to the extremely famous images dedicated to the French capital and its nightlife.
The retrospective of Nari Ward presents, for the first time, a combination of works that interweaves his exploration of performativity and collaborative projects: over thirty years of practice, presenting early seminal and historical works as well as new productions.