There are people who go to Ascot to see the U.K.s best thoroughbreds race and those who go to admire the most whimsical hats on the planet worn by celebrities and anonymous folks alike. Colourful and extravagant looks are almost obligatory for the guests of the Royal Ascot, a truly unique high society sporting event. However, there is one colour that is most emblematic of the racetrack of the Royal Family - the green of the Ascot Greencoat, the ceremonial guard of Her Majesty, who don an elegant green coat with gold trim. It would seem that this tradition coincides with the birth of the racetrack itself, built by Queen Anne in 1711. It is said that, for the occasion, the Sovereign ordered an enormous quantity of velvet from France to dress the Yeoman Prickers, who were in charge of crowd control and would even resort, if necessary, to using their “prickers” to remove racegoers from the track. Yards of cloth were left and it never occurred to Her Majesty to simply discard it - the excess material was used to redo the curtains of Windsor Castle, decking her most prestigious residence outside the Capital in green.
Elevating fashion and portrait photography to an art form, Cecil Beaton's photographs defined an era, capturing beauty, glamour and star power in the interwar and postwar eras.
In London, at the unusual setting of the Royal Albert Hall, over 40 of Japan's finest maku-uchi rikishi (wrestlers) will compete, bringing with them the legacy of 1.500 years of Sumo.
In response to the pain and devastation caused by World War II, Alberto Giacometti's works propose a new perspective on humanity and the collective psyche.
A journey to discover the Indian sculptor Mrinalini Mukherjee revisited through the works, drawings and sculptures of the artists who have most influenced her and with whom she has collaborated.
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