There are people who go to Ascot to see the U.K.s best thoroughbreds race and those who go to admire the most whimsical hats on the planet worn by celebrities and anonymous folks alike. Colourful and extravagant looks are almost obligatory for the guests of the Royal Ascot, a truly unique high society sporting event. However, there is one colour that is most emblematic of the racetrack of the Royal Family - the green of the Ascot Greencoat, the ceremonial guard of Her Majesty, who don an elegant green coat with gold trim. It would seem that this tradition coincides with the birth of the racetrack itself, built by Queen Anne in 1711. It is said that, for the occasion, the Sovereign ordered an enormous quantity of velvet from France to dress the Yeoman Prickers, who were in charge of crowd control and would even resort, if necessary, to using their “prickers” to remove racegoers from the track. Yards of cloth were left and it never occurred to Her Majesty to simply discard it - the excess material was used to redo the curtains of Windsor Castle, decking her most prestigious residence outside the Capital in green.
In 1597 Annibale and Agostino Carracci began work on the vast gallery of the Farnese Palace in Rome. How to prepare? Two enormous charcoal drawings on paper tell us this story.
Two exhibitions, two influential artists, one ticket: Edward Burra, one of the most distinctive British artists of the 20th century, and Ithell Colquhoun, a major figure in British Surrealism.
Emily Kame Kngwarreye is one of the world's leading painters to emerge in the late 20th century, her lived experience and spiritual engagement with her homeland translated into vibrant batiks and later monumental canvas paintings.
Opening in conjunction with Barbie's 65th anniversary in 2024, the exhibition will explore the doll's history through the lens of design, fashion, architecture, furniture and automotive design. A journey to discover Barbie after the sensational cinematic success of last year which consecrated her as an icon.