When Henry Gordon Selfridge built his huge department store in the West End, shopping for Londoners would never be the same. The first to understand that shopping could be a fun, seductive and multi-sensorial experience, the U.S.-born businessman was a true pioneer. The majestic Edwardian building on Oxford perfectly reflected the personality of its founder, whose only modest aspect was his height. When television was yet to exist and cinema was in its infancy, Selfridge entertained his clients better than an expo, almost like a ballroom, with a particular eye towards women. His stores, it was often said, were the “third tourist attraction of the capital” after Westminster Abbey and the Tower of London. The attention given to the window displays, “the bargain corner” and the habit of placing perfumes and cosmetics just within the entrance are just a few of the innovations credited to him. The secret was to offer a dream to every customer and, above all, never stop. In 1938, for instance, elevators were installed on Oxford Street that, in themselves only, warranted a visit to the store - the clients could shuttle up and down to various departments in bronze and cast iron boxes designed by the famed Edgar William Brandt. Today, it is possible to admire these at the Museum of London, with decorations inspired by the signs of the Zodiac, as well as exotic Japanese-inspired Swans.
A research-based exhibition at the British Museum reassesses early Netherlandish drawing as a functional tool within artistic production rather than an autonomous work. Technical studies and revised attributions reveal a collective workshop practice and trace the gradual emergence of drawing as an independent medium.
The Design Museum in London presents the first international retrospective of Nigo, a journey through three decades that reshaped the relationship between streetwear, luxury and global pop culture.
At the National Portrait Gallery in London, Tim Walker reconsiders his fairy-tale imagery through the lens of a real community. Portraits, staging and narrative create a universe where identity and affection become a collective story. An exhibition that moves portraiture towards a space that is both poetic and political.
A major retrospective revisits the artistic and personal partnership between two central figures of the Bloomsbury Group, restoring their work to a decisive place within British modernism.