At the National Gallery in London, a solo exhibition retraces the work of Joseph Wright of Derby, focusing on his series of candlelight paintings created between 1765 and 1773. The selected works reveal a tension-filled painting style, where artificial light is not merely a scenic effect but a philosophical lens. Wright does not simply celebrate scientific discoveries; he stages the moral ambiguity of observation, the solitude of the gaze, the complex relationship between knowledge and spectacle. The paintings present emblematic moments of shared learning. In Three Persons Viewing the Gladiator by Candlelight, an artist submits his drawing for critical assessment. In The Orrery, a philosopher uses a mechanical model to explain the solar system, with an oil lamp replacing the sun. In The Air Pump, the reaction of a family to a scientific demonstration ranges from wonder to doubt and fear. Light becomes a dramatic device to explore themes such as death, melancholy and scepticism. The exhibition offers a critical re-evaluation of an artist often associated with the rational optimism of the Enlightenment. His style, strongly influenced by Caravaggio’s chiaroscuro, stands out in the British art scene of the 18th century, which at the time largely avoided such expressive contrasts. Alongside the paintings are drawings, objects and mezzotint prints, which also document the international circulation of his work through the reproduction techniques of the period.
From January 2026, the Estorick Collection presents the first UK monographic exhibition devoted to Alessandro Mendini. Spanning design, art and publishing, the show reassesses a figure who challenged functionalism and reshaped the symbolic role of objects in the second half of the twentieth century.
The Royal Academy in London presents a major retrospective devoted to Michaelina Wautier, a seventeenth-century Flemish painter long overlooked by art history. Portraits, mythological scenes and allegories reveal an artist working with full independence across genres.
The British Museum exhibition traces more than a thousand years of samurai history, moving beyond the stereotyped image of the warrior. Armour, objects and works of art reveal the evolution of a class that shifted from military elite to a central force in Japan’s political and cultural life.
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