地址: New Scotland Yard, Westminster, London SW1A 2JL
An authentic cockney, Alfred Hitchcock never forgot the city where he was born and raised - London, experts say, is the subtext of his films, even the American ones. From Westminster to Charing Cross to the British Museum, there are many places throughout the British capital that he chose as locations for his film. The director sought to offer both the beautiful and ugly sides of the city, like a prism projecting a thousand faces of good and evil. But there was one “invisible” place that, for the author of Psycho, was an endless source of inspiration - the Black Museum, the crime museum of Scotland Yard, which the director visited regularly in search of inspiration and macabre details. Opened in 1875, the Black Museum hosts a blood-thirsty collection of exhibits - from Jack the Ripper to Doctor Crippen, the grim soul of London is narrated by objects that would drive any horror fan wild. There are the false De Beers diamonds and the stove used by serial killer Dennis Nilsen to eliminate the remains of his victims, the umbrella used to kill Bulgarian dissident Georgi Markov and the pistol used by Edward Oxford in attempting to kill Queen Victoria. Top of the bottom - the chilling letter From Hell written by Jack the Ripper. Sadly, the museum is no longer open to the public - it is exclusively used for educating police and forensic scientists.
Marking the 250th anniversary of their births, a landmark exhibition explores the intertwined lives and legacies of Turner and Constable, two of the most important 19th-century British landscape painters.
The exhibition begins in the 1920s, when swimsuits began to be marketed for swimming and when seaside holidays became popular and explores the role of swimming in modern life up to the present day.
The dark and fascinating world of Peaky Blinders comes to the stage in The Redemption of Thomas Shelby, a theatrical dance production by Rambert and written by the creator of the TV series, Steven Knight.