A Masterpiece as a Trophy - The Secret of Apsley House
位置: Apsley House
地址: 149 Piccadilly, London W1J 7NT
His name is tied to the Battle of Waterloo which, in 1815, marked the defeat of Napoleon. But not everybody knows that Lord Arthur Wellesley, first Duke of Wellington, was also a refined collector. In his Hyde Park home, long known simply as “Number One, London”, he gathered an extraordinary number of artworks, which, today, are an authentic treasure. Pieter Paul Rubens, Diego Velàsquez, Correggio, Thomas Lawrence are just some of the names on display at the luxurious Apsley House. Around the paintings are also precious sculptures, rare antique furnishings, elaborate pieces of fine metals and stunningly valuable ceramic pieces - many are gifts that Wellington received from European sovereigns for having neutralised such a dangerous common enemy. However, there is one work that is truly emblematic of this special place - the statue of Napoleon as Mars the Peacemaker, sculpted by the great Antonio Canova. Created as a celebrative portrait of the Emperor, it has monumental dimensions and shows Napoleon totally nude, as was the classical tradition. However, the Emperor didn’t care for it. He feared being ridiculed by his own troops and chose to hide it in the basement of the Louvre, draped under a drop-cloth. Yet, after the Battle of Waterloo, the sculpture became a trophy of the victor - the Duke of Wellington.
The Design Museum in London presents the first international retrospective of Nigo, a journey through three decades that reshaped the relationship between streetwear, luxury and global pop culture.
At the National Portrait Gallery in London, Tim Walker reconsiders his fairy-tale imagery through the lens of a real community. Portraits, staging and narrative create a universe where identity and affection become a collective story. An exhibition that moves portraiture towards a space that is both poetic and political.
Shao Fan, tradition and contemporaneity without mediation
Shao Fan’s first London exhibition presents ink paintings that rethink tradition as an active system. His work moves between painting and sculpture, balancing cultural memory and contemporary image.