Programme: Tue - Sat 11 am - 6 pm | Sun - Mon closed
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Location: Lisson Gallery
Adresse: 4/F, Building D7, Yard 3 Jinhang East Road
It is not the first time that Christopher Le Brun, one of the leading British painters celebrated internationally since the 1980s, has entered the contemporary art scene in China. He had already been there in 2019 with an exhibition organized by the Lisson Gallery in Shanghai and again in 2021 with two interventions, at the Red Brick Art Museum and at the MoCAUP. An artist who ranges from figurative to abstract, who fluently engages in various disciplines, painting, sculpture and printing, Le Brun is also a public figure who has held prestigious positions, for example he was president of the Royal Academy of Arts in London from 2011 to 2019. In his new solo exhibition in Beijing he presents Phases of the Moon, a multi-panel painting that reveals the cyclical nature of his practice with a lunar motif that dates back to one of his first oil paintings and Lontano, a triptych that shares the title with a piece by the composer Gyorgy Ligeti written in 1967, which embodies the artist's belief that painting should primarily have a sensual and emotional appeal.
With the title Art that illuminates the Future, the 24th Edition of the Fair prepares to host more than 100 galleries and over 500 artists from all over the world to provide an overview of the state of contemporary art.
On display are 74 series of works created by Qi Baishi. Among these, a 25-page album entitled Flower Drawings found in the Academy's archives, after having been buried in dust for decades, will be shown for the first time.
“Luc Tuymans: The Past” will be one of the most significant investigations of his work and his first comprehensive presentation in China. With around 80 works that trace his artistic journey, the exhibition tells how Tuymans explores the unsteady power that images wield to shape the present and give form to the past.
Tomás Saraceno: Art and Science come together to imagine New Future Scenarios
For Tomás Saraceno the kingdom of artists is not the museum or a gallery, but the world itself. The artist questions the possibilities of imagining a future collaboratively, where principles of collective care and hope prevail.