The smell of cookies, the hairpiece of Mr. Jervis, the remains of a half-eaten meal, probably interrupted by our visit, candlelight, the creak of steps on the wooden floor, a clock ticking. How was life in the home of a family of Huguenot silk weavers? The answer can be found in the hallways and candle-lit rooms of the home of Dennis Severs, which painter David Hockney described as one of the world’s greatest operas. The home, situated at number 18 Folgate Street, in fact, is more than a simple time capsule. It is an intimate and authentic portrait of the life of a family of weavers and their descendants from 1724 to 1914. The intention of the owner, American Dennis Severs - who, many years later, lived there and painstakingly furnished the house, reproducing scenes of past daily life throughout - was to show the public of today the fortunes of the Jervis family and its descendants. This is done with by resetting the environs, odours and whispers dear this abode when it was lived in almost 300 years ago. Tiptoeing across its threshold is like stepping across a picture frame and visiting the building is like sliding across the surface of a painting. It is a gathering of spirits and atmospheres that capture the light and soul of another age.
At London’s V&A, the exhibition Schiaparelli: Fashion Becomes Art celebrates the visionary genius of Elsa Schiaparelli, pioneer of the dialogue between fashion and surrealism. From her iconic designs with Dalí to Daniel Roseberry’s sculptural creations, a journey through the boundless imagination of the century.
The National Gallery presents a major retrospective exploring Renoir’s many visions of love. More than fifty works, including Bal au Moulin de la Galette, will come to London in Autumn 2026. The exhibition traces fin-de-siècle Paris through the artist’s vivid social and emotional landscapes.
Caravaggio's famous painting arrives in the UK for the first time at the Wallace Collection in London, in dialogue with ancient sculptures from the Giustiniani collection. This exhibition intertwines sensuality and power, light and matter, rediscovering the challenge between painting and sculpture in 17th-century Rome.
Triple Trouble at Newport Street Gallery stages a collision between Shepard Fairey, Damien Hirst and Invader. The exhibition treats collaboration as a field of friction, exposing tensions and sharp contrasts between three visual languages that do not seek harmony but a direct, uncompromising encounter.