You wouldn’t even dream of showing up at a wedding of the Royal Family or any other event of British High Society without wearing a hat, a mere hairstyle just won’t do. In cases of urgent necessity, there are plenty of prestigious designers capable of solving any and all such problems - from the haute couture creations of hat designer Philip Tracey to the jewels of Laura Catchart, there’s plenty to choose. To start learning a bit more and prepare yourself, all you need to do is take a look at the website of the Victoria & Albert Museum and have a look at its historic hat collection (exclusively online) which spans an amazing 17 centuries. What you discover is that the mere hat does not exist - there are more than you could ever imagine, an infinite number of shapes, all satisfying the most far-flung needs and tastes. You’ll never again think of the hat as a simple accessory. Its magic, its charm, it all depends on the power to transmit messages of authority, affiliation, individuality, property, rebellion and, of course, style.
The UK’s first child-centered museum exhibition around creativity in ancient Egypt, showcasing Egypt’s potential for inspiring design creativity through ancient artefacts, contemporary art and design, and captivating scenography.
In 1924, the V&A received a gift of over 80.000 playbills, programmes and objects from collector Gabrielle Enthoven. The gift marked the beginning of the museum's collection of theatre material, which has since evolved into the UK's National Collection of Performing Arts.
The exhibition begins in the 1920s, when swimsuits began to be marketed for swimming and when seaside holidays became popular and explores the role of swimming in modern life up to the present day.
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