You wouldn’t even dream of showing up at a wedding of the Royal Family or any other event of British High Society without wearing a hat, a mere hairstyle just won’t do. In cases of urgent necessity, there are plenty of prestigious designers capable of solving any and all such problems - from the haute couture creations of hat designer Philip Tracey to the jewels of Laura Catchart, there’s plenty to choose. To start learning a bit more and prepare yourself, all you need to do is take a look at the website of the Victoria & Albert Museum and have a look at its historic hat collection (exclusively online) which spans an amazing 17 centuries. What you discover is that the mere hat does not exist - there are more than you could ever imagine, an infinite number of shapes, all satisfying the most far-flung needs and tastes. You’ll never again think of the hat as a simple accessory. Its magic, its charm, it all depends on the power to transmit messages of authority, affiliation, individuality, property, rebellion and, of course, style.
Fashion, identity, painting: a major exhibition at Tate Britain to explore the genius of one of the most important artists of the nineteenth century, the American artist who found his fortune in Europe and London, John Singer Sargent.
Freedom and discipline. Two words apparently very distant from each other which for Antony Gromley are a topic of investigation in his search for balance between the body's need to migrate and the organized superstructures of human societies.
Auerbach's heads emerge from the darkness of the charcoal as vital and very alive, having gone through a long period of struggle - the image repeatedly created and destroyed. For the first time Auerbach's extraordinary post-war drawings will be brought together in one exhibition.