You wouldn’t even dream of showing up at a wedding of the Royal Family or any other event of British High Society without wearing a hat, a mere hairstyle just won’t do. In cases of urgent necessity, there are plenty of prestigious designers capable of solving any and all such problems - from the haute couture creations of hat designer Philip Tracey to the jewels of Laura Catchart, there’s plenty to choose. To start learning a bit more and prepare yourself, all you need to do is take a look at the website of the Victoria & Albert Museum and have a look at its historic hat collection (exclusively online) which spans an amazing 17 centuries. What you discover is that the mere hat does not exist - there are more than you could ever imagine, an infinite number of shapes, all satisfying the most far-flung needs and tastes. You’ll never again think of the hat as a simple accessory. Its magic, its charm, it all depends on the power to transmit messages of authority, affiliation, individuality, property, rebellion and, of course, style.
The Courtauld Gallery in London reveals an unexpected side of Barbara Hepworth: the sculptor who painted emptiness. Hepworth in Colour intertwines form and pigment in a vivid story where colour does not decorate but breathes within the material.
Caravaggio's famous painting arrives in the UK for the first time at the Wallace Collection in London, in dialogue with ancient sculptures from the Giustiniani collection. This exhibition intertwines sensuality and power, light and matter, rediscovering the challenge between painting and sculpture in 17th-century Rome.
At the Royal Academy, The Histories presents the most comprehensive European survey of Kerry James Marshall’s work. Over seventy pieces place Black figures at the center of the artistic narrative, redefining Western painting’s traditional canons with bold, poetic force.
Wayne Thiebaud: The Sweet Melancholy of Everyday Life
The Courtauld Gallery presents the first major UK exhibition of Wayne Thiebaud. Through paintings and prints from the 1960s, ice creams, cakes and pinball machines become an epic yet melancholic portrait of American consumer culture.