On Sundays in the Springtime, families, cyclists and sports enthusiasts in training populate the Naviglio della Martesana, the long navigable canal that connects Milan with the Adda river and which, since the Nineties, has been flanked by a bike path. The canal was designed by none other than Leonardo da Vinci, with the aim of connecting the city with Lake Como. Inaugurated by Ludovico il Moro in 1496, the strip of water of Martesana runs 30 kilometres from Cassina de’ Pomm, in Via Melchiorre Gioia, to Cassano d’Adda, passing parks, farms and historic villas. As early as the XVII Century, in fact, Milan’s nobility began to colonise the left bank of the canal, building their out-of-town residences. The first is in Concesa - the large Neo-Renaissance construction which, today, hosts Parco Adda Nord. Moving ahead, there is Villa Aitelli which can be seen from a distance with its octagonal tower, while Villa Borromeo is striking for its beautiful gardens and its Neo-Classical harmony with touches of the Baroque. Waving at the coypus, the cute rodents that inhabit the canal, we head South towards Gorgonzola to admire the old docks, the wash basins and the house-bridge. In Groppello d’Adda, finally, an old wooden watermill brings us back in time to its construction in 1618.
The Timeless Elegance of Giorgio Armani Privé Enchants Milan
An exhibition celebrates Giorgio Armani Privé haute couture: iconic gowns, exquisite craftsmanship and the unmistakable elegance that makes each creation timeless.
Twelve restored plaster busts by Antonio Canova, discovered in a villa in Veneto, are the highlight of a new exhibition at Milan’s Pinacoteca di Brera, celebrating Neoclassical sculpture and the return of the marble Vestale.
Eyes in Dialogue: Berengo Gardin and Ramistella at Leica Galerie
At Leica Galerie Milan, the works of Gianni Berengo Gardin and Roselena Ramistella create a cross-generational dialogue, part of the 100th anniversary of the Leica I, the first compact 35mm film camera.
Jago at the Biblioteca Ambrosiana: A Still Life Loaded with Weapons
The artist presents a marble sculpture in dialogue with Caravaggio’s famous Basket of Fruit: a basket filled with weapons that reflects on contemporary violence and the fragility of existence.