From D’Annunzio to Gio Ponti, the Creative DNA of the Renaissance
ロケーション: La Rinascente
住所: Piazza del Duomo
In 1883, Au Bonheur des Dames was released and, thanks to Emile Zola, the phantasmagoric novelty of Paris’ huge department stores became protagonists of a novel. At the same time, transformations were occurring at the Magazzini Bocconi of Milan, an Italian success story that would soon conquer Genoa, Rome, Trieste, Palermo and Turin. Surprised you never heard of it? Nothing strange at all - in 1917, the chain became known as La Rinascente, thanks to the fortunate invention of another literary great, Gabriele D’Annunzio. In Milan the following year, La Rinascente opened to the public in Piazza Duomo and not even a horrible fire would hinder its triumphant march forward. The collaboration with D’Annunzio was no isolated case - artists and other Made-in-Italy creative minds have always played a key role in the history of the company. Witness to this fact are the Liberty Style posters created by great artists such as Marcello Dudovich, or the Compasso d’Oro, the celebrated award for the top in Italian design. Few people know that it was launched by La Rinascente, picking up on an idea of Gio Ponti.
Face to Face with Tintoretto. Contemporaries Dialogue with the Venetian Master
Also this year, as in 2024 with Bellini's Compianto, four contemporary artists are invited to relate to a masterpiece of the past. In front of the large Tintoretto's canvas Jacopo Benassi, Luca Bertolo, Alberto Gianfreda, Maria Elisabetta Novello put themselves on the line.
The exhibition recounts Leonora Carrington's lifelong relationship with Italy, from her discovery of Italian art in Florence to exploring her affiliation with Surrealism. The exhibition features not only her wonderful paintings but also photographs, books from her personal library and archive material.
Bvlgari hosts opening of Torlonia Collection at the Louvre
Last night, Bvlgari celebrated the launch of Masterpieces from the Torlonia Collection, a new exhibit at the Louvre. As a supporter of the Torlonia collection ...
Neshat creates highly lyrical narratives, as well as politically charged visions, that question issues of power, religion, race, and the relationships between past and present, East and West, individual and collective.