Giacomo Puccini called her “Bicchi” and, in time, everybody called her Biki, thanks to the poet Gabriele D’Annunzio, who transformed her childhood nickname into something exotic. “I’m just a seamstress,” Elvira Leonardi Bouyeure once said, the inventor of the “Made in Italy” label, stylist to Maria Callas, Sofia Loren and Brigitte Bardot. Her golden childhood was marked by the influence of huge cultural giants on her upbringing. Characters like Giacomo Puccini, to her “Nonno Tato”, her grandmother’s second husband. When she met, in Paris, art collector Robert Boyeure, her future husband, Biki came into contact with the fashion world and was immediately bewitched. Her constant contact with this world, after one voyage to Paris after another, gave her the idea of turning her natural fashion sense into a creative vocation. Thus, in 1934, she opened her first atelier. At her Milanese studio at Via Senato 8, the first styles inspired by Parisian fashion began to appear, designed and manufactured by Gina Cicogna and Biki, who quickly became convinced that their creations were destined to dress women everywhere. The combination of colours (eccentric for the time), such as blue and green, soon became a trademark of her unmistakable style.
From Ceramics to the Teatrini: the Art of Lucio Fontana
Works from the 1950s and 1960s offer a broad view of Lucio Fontana’s artistic journey, reaching well beyond his celebrated signature style of the Cuts (Tagli).
Between junk time and deep time, Hito Steyerl weaves film, sculpture and interviews: sci-fi and quantum logic to read floods, AI-driven authoritarianism and the climate crisis.
Milan honors the Divisionist Master with an exhibition that sets his iconic work alongside studies and paintings revealing his social and artistic vision.