The Museo Diocesano Carlo Maria Martini in Milan hosts the 17th edition of Capolavoro per Milano. This year’s highlight is the Nativity by Lorenzo Lotto, a Master of the Italian Renaissance known for his unconventional and deeply expressive style.
On loan from the Pinacoteca Nazionale di Siena, the painting marks the beginning of a new collaboration between two major Italian institutions. Lotto reimagines the Nativity through an unusual lens, drawing inspiration from apocryphal texts. Alongside the Holy Family appears the midwife Salome, whose hand is paralyzed as punishment for doubting the Virgin Birth. Set in a humble, dimly lit interior, the scene unfolds in a nocturnal atmosphere influenced by Northern European models. Lotto, a Master of chiaroscuro, orchestrates the composition with two sources of light: the glowing body of the Christ child and a distant hearth, creating a dialogue of shadows and highlights that intensifies the painting’s emotional resonance. A masterpiece that speaks to the present, bridging faith, humanity, and the enduring narrative power of painting.
