Five artists - aaajiao, Noh Sangho, Rao Weiyi, Tan Mu, and Wu Ziyang - confront the limits and opacities of generative technologies. The exhibition, inspired by Borges’ short story The Circular Ruins, explores the idea that even the creator might be an illusion. Glitches - seemingly accidental faults in digital systems - become spaces for critical revelation. Noh Sangho stages characters trapped in an endless loop of faith and data; aaajiao transforms the screen into a membrane between the digital and the corporeal. Tan Mu reflects on the invisible infrastructures of memory, while Wu Ziyang constructs a sci-fi archaeology of the present. Finally, Rao Weiyi paints intimate scenes that resist digital alienation. Rather than seeking mastery over AI, these artists embrace ambiguity, creating works where error and fragmentation open pathways to new possibilities.
AUUUUDITORIUM: where study is movement, circulation, redistribution
AUUUUDITORIUM is an innovative and constantly evolving project that challenges traditional methods of knowledge production, redefining "study" as a collective and diverse inquiry that includes dialogue, movement and shared experiences.
Crashing Exercises: The Fall as a Metaphor for the Present
Dai Zhankun transforms military wreckage into installations that reflect on the silent militarization of everyday life, where the line between security and control becomes increasingly blurred.
Bvlgari hosts opening of Torlonia Collection at the Louvre
Last night, Bvlgari celebrated the launch of Masterpieces from the Torlonia Collection, a new exhibit at the Louvre. As a supporter of the Torlonia collection ...
Through mirrors, light, and clay, Ako Goto builds a suspended world where the gaze becomes presence and the reflection a mute voice of what is absent yet still speaks to us.
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