On September 7, 1931, the Granada Cinema was inaugurated in the heart of Wandsworth. Performing that night were the trumpeters of The Life Guards and Alex Taylor on his Wurlitzer organ. The feature film was Monte Carlo and the short was Two Crowded Hours directed by Michael Powell. Until 1934, the film calendar of this Art Deco jewel in the heart of London was supplemented with theatre and musical performances and even a small circus with live elephants. There was also a cafe at the entrance which overlooked the foyer and the Granada even boasted of an “electric” kitchen, a 250-spot parking lot and a carriage space for mothers and their children. The building which houses what is, today, still considered the most spectacular cinema in all of Great Britain, is the result of a design by the great cinema and theatre architect Cecil A. Massey for Sidney Bernstein. The interior, meanwhile, was a result of the creativity of the Russian theatre designer Theodore Komisarjevsky. From Jerry Lee Lewis to Frank Sinatra, from the Rolling Stones to the Beatles, numerous illustrious performers were hosted on the stage of the Granada. The last performance, on April 28, 1968, were the Bee Gees. Then, in the ‘60s, its decline began. It was closed definitively on November 10, 1973. It went unused for almost three years until October 14, 1976, when it reopened as Granada Bingo Club, Tooting.
At London's National Gallery, Thomas Gainsborough's celebrated masterpiece meets Yinka Shonibare's contemporary reinterpretation. A dialogue across centuries that explores power, identity and the legacy of colonial history.
The first major retrospective in over fifty years dedicated to Richard Dadd, one of the most enigmatic artists of the Victorian era, invites us to look beyond his biography to rediscover the visionary power of his painting.
Following his participation in the Venice Biennale, Louis Fratino presents a new body of paintings at David Zwirner London exploring intimacy and human relationships. Through domestic interiors and quietly observed figures, his work reveals the poetic power of closeness.
At White Cube, the Hong Kong-born artist unveils a new series of paintings exploring the fragility of human relationships and the search for belonging. Through suspended figures and pared-back compositions, Lai transforms introspection into a meditation on the contemporary human condition.