On September 7, 1931, the Granada Cinema was inaugurated in the heart of Wandsworth. Performing that night were the trumpeters of The Life Guards and Alex Taylor on his Wurlitzer organ. The feature film was Monte Carlo and the short was Two Crowded Hours directed by Michael Powell. Until 1934, the film calendar of this Art Deco jewel in the heart of London was supplemented with theatre and musical performances and even a small circus with live elephants. There was also a cafe at the entrance which overlooked the foyer and the Granada even boasted of an “electric” kitchen, a 250-spot parking lot and a carriage space for mothers and their children. The building which houses what is, today, still considered the most spectacular cinema in all of Great Britain, is the result of a design by the great cinema and theatre architect Cecil A. Massey for Sidney Bernstein. The interior, meanwhile, was a result of the creativity of the Russian theatre designer Theodore Komisarjevsky. From Jerry Lee Lewis to Frank Sinatra, from the Rolling Stones to the Beatles, numerous illustrious performers were hosted on the stage of the Granada. The last performance, on April 28, 1968, were the Bee Gees. Then, in the ‘60s, its decline began. It was closed definitively on November 10, 1973. It went unused for almost three years until October 14, 1976, when it reopened as Granada Bingo Club, Tooting.
Sixteen centuries in the history of a city with two names - Constantinople and Istanbul - capital first of the Byzantine Empire and later of the Ottoman Empire. More than 200 works trace the transformation of one of the Mediterranean's most influential cities through art, architecture, religion and everyday life.
At London's National Gallery, Thomas Gainsborough's celebrated masterpiece meets Yinka Shonibare's contemporary reinterpretation. A dialogue across centuries that explores power, identity and the legacy of colonial history.
Andrew Lloyd Webber and Tim Rice's iconic rock opera returns to London's West End in a new production. Sam Ryder stars as Jesus, while Boy George takes on the role of King Herod in one of the most influential musicals of the past fifty years. A classic that continues to bring together biblical storytelling, rock music and contemporary theatre.
In Upside Down, Alex Israel presents four monumental sculptures inspired by surfboard fins at Gagosian London. A simple shift in perspective turns an icon of Californian culture into a meditation on image, design and contemporary mythology.