On September 7, 1931, the Granada Cinema was inaugurated in the heart of Wandsworth. Performing that night were the trumpeters of The Life Guards and Alex Taylor on his Wurlitzer organ. The feature film was Monte Carlo and the short was Two Crowded Hours directed by Michael Powell. Until 1934, the film calendar of this Art Deco jewel in the heart of London was supplemented with theatre and musical performances and even a small circus with live elephants. There was also a cafe at the entrance which overlooked the foyer and the Granada even boasted of an “electric” kitchen, a 250-spot parking lot and a carriage space for mothers and their children. The building which houses what is, today, still considered the most spectacular cinema in all of Great Britain, is the result of a design by the great cinema and theatre architect Cecil A. Massey for Sidney Bernstein. The interior, meanwhile, was a result of the creativity of the Russian theatre designer Theodore Komisarjevsky. From Jerry Lee Lewis to Frank Sinatra, from the Rolling Stones to the Beatles, numerous illustrious performers were hosted on the stage of the Granada. The last performance, on April 28, 1968, were the Bee Gees. Then, in the ‘60s, its decline began. It was closed definitively on November 10, 1973. It went unused for almost three years until October 14, 1976, when it reopened as Granada Bingo Club, Tooting.
A London exhibition traces Emilio Isgrò’s work across six decades, between visual poetry and conceptual art. Erasure emerges as a critical practice acting on language, knowledge and representation.
An exhibition dedicated to Kandinsky and the artists of German Expressionism that aims to tell "an alternative history of modernity," different from the one centered on the French tradition that has dominated much of the narrative on modern European art.
Shao Fan, tradition and contemporaneity without mediation
Shao Fan’s first London exhibition presents ink paintings that rethink tradition as an active system. His work moves between painting and sculpture, balancing cultural memory and contemporary image.
Directly from Venice, Peggy Guggenheim in London: The Making of a Collector arrives in London. The exhibition reconstructs Peggy Guggenheim's role in the London art scene on the eve of World War II, with her intense experience at the Guggenheim Jeune gallery.