On September 7, 1931, the Granada Cinema was inaugurated in the heart of Wandsworth. Performing that night were the trumpeters of The Life Guards and Alex Taylor on his Wurlitzer organ. The feature film was Monte Carlo and the short was Two Crowded Hours directed by Michael Powell. Until 1934, the film calendar of this Art Deco jewel in the heart of London was supplemented with theatre and musical performances and even a small circus with live elephants. There was also a cafe at the entrance which overlooked the foyer and the Granada even boasted of an “electric” kitchen, a 250-spot parking lot and a carriage space for mothers and their children. The building which houses what is, today, still considered the most spectacular cinema in all of Great Britain, is the result of a design by the great cinema and theatre architect Cecil A. Massey for Sidney Bernstein. The interior, meanwhile, was a result of the creativity of the Russian theatre designer Theodore Komisarjevsky. From Jerry Lee Lewis to Frank Sinatra, from the Rolling Stones to the Beatles, numerous illustrious performers were hosted on the stage of the Granada. The last performance, on April 28, 1968, were the Bee Gees. Then, in the ‘60s, its decline began. It was closed definitively on November 10, 1973. It went unused for almost three years until October 14, 1976, when it reopened as Granada Bingo Club, Tooting.
Opening in April at Buckingham Palace, Queen Elizabeth II: Her Life in Style traces more than seventy years of reign through garments and accessories from the Royal Collection. The exhibition examines the Queen’s style as a political language, a tool of representation and a form of visual diplomacy.
V&A East opens with an exhibition exploring 125 years of Black music in Britain. From jazz to grime, the show traces genres, scenes and generations. Music emerges as a driving force in shaping British cultural identity.
At the Courtauld Gallery in London, the first major European exhibition devoted to Salman Toor. A figurative practice that explores intimacy, desire and vulnerability in contemporary urban life. Everyday scenes become spaces of recognition and belonging.
At the Royal Albert Hall on 4 and 5 April 2026, the film Interstellar returns to the big screen with Hans Zimmer’s score performed live, transforming the screening into an immersive symphonic experience.