Framed by brick walls bearing hundreds of letters in honour of the King of Rock, a green door opens onto the last home of Freddie Mercury, the remarkably talented frontman of Queen. In 1985, the singer moved to this quiet street in Kensington and sumptuously decorated the rooms of this home that would host raucous parties and where the studio annex would host recording sessions late into the night. When, with his health deteriorating, the rock star withdrew from the public eye, he would spend more and more time in the intimacy of this home. Assisted, until his death by his ex-lover and best friend, Mary Austin, Mercury died in this house on November 24, 1991. He was cremated and his ashes were placed in a secret location, known only to Mary Austin. Following the last wishes of her friend, the woman, along with her family, still lives in Garden Lodge, surrounded by the furnishings that Freddie Mercury picked out himself. The building was built in 1908 for painter Cecil Rae who lived in the house with his wife and, before Mercury, it had numerous high-profile owners, including Peter Wilson, president of the auction house Sotheby’s.
At the Royal Academy, The Histories presents the most comprehensive European survey of Kerry James Marshall’s work. Over seventy pieces place Black figures at the center of the artistic narrative, redefining Western painting’s traditional canons with bold, poetic force.
At the Royal Academy, A Story of South Asian Art explores Mrinalini Mukherjee’s work and her creative circle, including her mentors and colleagues. Through her textile sculptures and site-specific connections, the exhibition redefines contemporary sculpture with roots in South Asian Modernism.
Wayne Thiebaud: The Sweet Melancholy of Everyday Life
The Courtauld Gallery presents the first major UK exhibition of Wayne Thiebaud. Through paintings and prints from the 1960s, ice creams, cakes and pinball machines become an epic yet melancholic portrait of American consumer culture.
Caravaggio's famous painting arrives in the UK for the first time at the Wallace Collection in London, in dialogue with ancient sculptures from the Giustiniani collection. This exhibition intertwines sensuality and power, light and matter, rediscovering the challenge between painting and sculpture in 17th-century Rome.