When Henry Gordon Selfridge built his huge department store in the West End, shopping for Londoners would never be the same. The first to understand that shopping could be a fun, seductive and multi-sensorial experience, the U.S.-born businessman was a true pioneer. The majestic Edwardian building on Oxford perfectly reflected the personality of its founder, whose only modest aspect was his height. When television was yet to exist and cinema was in its infancy, Selfridge entertained his clients better than an expo, almost like a ballroom, with a particular eye towards women. His stores, it was often said, were the “third tourist attraction of the capital” after Westminster Abbey and the Tower of London. The attention given to the window displays, “the bargain corner” and the habit of placing perfumes and cosmetics just within the entrance are just a few of the innovations credited to him. The secret was to offer a dream to every customer and, above all, never stop. In 1938, for instance, elevators were installed on Oxford Street that, in themselves only, warranted a visit to the store - the clients could shuttle up and down to various departments in bronze and cast iron boxes designed by the famed Edgar William Brandt. Today, it is possible to admire these at the Museum of London, with decorations inspired by the signs of the Zodiac, as well as exotic Japanese-inspired Swans.
For the first time in the United Kingdom, a major exhibition explores the work of Ketty La Rocca, a leading figure in Italian Visual Poetry and Body Art. Over fifty works trace a radical journey through gestures, words, X-rays, and manipulated images. A powerful investigation of language, identity, and the body.
Marie Antoinette: The Queen of Style Who Never Goes Out of Fashion
Featuring more than 250 works, from personal jewels and court dress to creations by Dior, Chanel and Vivienne Westwood, the show traces Marie Antoinette’s lasting impact on fashion, the decorative arts and visual culture.
Ichiko Aoba brings her ethereal music to London’s Royal Albert Hall. With her new album Luminescent Creatures, the Japanese singer-songwriter turns the stage into a dreamlike landscape where silences and melodies unfold as inner journeys.
At the National Gallery in London, a remarkable exhibition brings back into focus one of the most enigmatic figures of eighteenth-century British painting, George Stubbs, exploring his quiet revolution in the depiction of the horse, an animal that, for the artist, became far more than a symbol of status or aristocratic refinement.