There are people who go to Ascot to see the U.K.s best thoroughbreds race and those who go to admire the most whimsical hats on the planet worn by celebrities and anonymous folks alike. Colourful and extravagant looks are almost obligatory for the guests of the Royal Ascot, a truly unique high society sporting event. However, there is one colour that is most emblematic of the racetrack of the Royal Family - the green of the Ascot Greencoat, the ceremonial guard of Her Majesty, who don an elegant green coat with gold trim. It would seem that this tradition coincides with the birth of the racetrack itself, built by Queen Anne in 1711. It is said that, for the occasion, the Sovereign ordered an enormous quantity of velvet from France to dress the Yeoman Prickers, who were in charge of crowd control and would even resort, if necessary, to using their “prickers” to remove racegoers from the track. Yards of cloth were left and it never occurred to Her Majesty to simply discard it - the excess material was used to redo the curtains of Windsor Castle, decking her most prestigious residence outside the Capital in green.
At London’s V&A, the exhibition Schiaparelli: Fashion Becomes Art celebrates the visionary genius of Elsa Schiaparelli, pioneer of the dialogue between fashion and surrealism. From her iconic designs with Dalí to Daniel Roseberry’s sculptural creations, a journey through the boundless imagination of the century.
Marie Antoinette: The Queen of Style Who Never Goes Out of Fashion
Featuring more than 250 works, from personal jewels and court dress to creations by Dior, Chanel and Vivienne Westwood, the show traces Marie Antoinette’s lasting impact on fashion, the decorative arts and visual culture.
The Courtauld Gallery in London reveals an unexpected side of Barbara Hepworth: the sculptor who painted emptiness. Hepworth in Colour intertwines form and pigment in a vivid story where colour does not decorate but breathes within the material.
At the Royal Academy, A Story of South Asian Art explores Mrinalini Mukherjee’s work and her creative circle, including her mentors and colleagues. Through her textile sculptures and site-specific connections, the exhibition redefines contemporary sculpture with roots in South Asian Modernism.