It was a boat ride on the Thames that inspired the masterpiece that launched John Singer Sargent into the firmament of English painting. The artist was in Pangburne, coming off the Parisian scandal of Madame X, when the spectacle of Chinese lanterns hanging between the trees and flowers set a new idea working in his mind. In two years, he would finish Carnation, Lily, Lily, Rose, the atmosphere of which, with its vibrant lights, still overwhelms visitors to the Tate Britain today. The work depicts two children in white garb, intent on lighting paper lanterns. Around them, the lush nature of an English garden with lilies, roses and carnations. With Polly and Dolly, daughters of illustrator Frederick Barnard, Sargent worked outside, waiting nightly for the ephemeral enchantment of sunset. Capturing “the warm light of the lanterns against the dark purple of the summer sunset” turned out to be an arduous task. It is a “terribly difficult subject,” the painter wrote to his sister, “The brilliant colours of the flowers and the lamps are impossible, and the more intense green of the lawn in the background. The paints aren’t vivid enough. And besides that, the effect only lasts ten minutes.” But the efforts of the American artist were compensated. In 1887, the exposition of the work at the Royal Academy decreed the launch of Sargent as a portraitist in the United Kingdom. Two ingredients made the painting irresistible to the Victorian public and critics - the innocence of youth and its setting in an English garden.
Wimbledon 2025 runs from June 30 to July 13: the first edition with fully automated line calls. Jannik Sinner returns as ATP world number one after a WADA-imposed suspension. Carlos Alcaraz aims for a third consecutive title.
Paintings, sculptures, textiles and poetry by over 50 artists including Uzo Egonu, El Anatsui, Ladi Kwali and Ben Enwonwu chronicle the achievements of Nigerian artists working before and after the decade of the nation’s independence from British colonial rule in 1960.
The exhibition features a selection of important oil paintings spanning her career as an artist from the 1980s to the present by Armenian-American artist Maro Gorky. They include scenes from Gorky family life, the Tuscan home where she has lived with her sculptor husband Matthew Spender since the 1960s, and landscapes of the Sienese countryside.
In London, at the unusual setting of the Royal Albert Hall, over 40 of Japan's finest maku-uchi rikishi (wrestlers) will compete, bringing with them the legacy of 1.500 years of Sumo.
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