The atmosphere is that of an old novel, yet the heart of a modern metropolis pulses all around us. Right near the highly-central Leicester Square, Goodwin’s Court is a secret place where time seems to have stood still. Buildings in the Georgian style, old-fashioned store fronts, bow windows from the 1700s and gaslights offer an unexpected view of London. And to think that in the ‘30s, this street connecting St Martin’s Lane and Bedfordbury escaped demolition by a hair - the old buildings mentioned by Charles Dickens in Bleak House seemed an offence to the progressively modern urban landscape. Where, in the 1800s, children once ran barefoot as their parents munched green peas on their doorsteps, at the start of the new millenium, Chris Columbus found inspiration for the set of Harry Potter - it seems that Goodwin’s Court was the model for Knockturn Alley, the twin street of Diagon Alley which, in the novels of Joanne Rowling, hosts shops dedicated to witchcraft. Today, Goodwin’s is, above all, a street hosting offices and other activities connected with the world of the theatre. But when night falls, especially when it’s foggy out, don’t be surprised if you hear the padded gait of Sherlock Holmes.
Lee Miller was one of the most sought-after models of the late 1920s. She quickly moved behind the lens, becoming a leading figure in the avant-garde scenes of New York, Paris, London and Cairo. An exhibition at Tate Britain celebrates her extraordinary career.
Elevating fashion and portrait photography to an art form, Cecil Beaton's photographs defined an era, capturing beauty, glamour and star power in the interwar and postwar eras.
An exhibition celebrates Edwin Austin Abbey, a 19th-century American artist, showcasing his study for the monumental work The Hours created for the Pennsylvania State Capitol.
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