The atmosphere is that of an old novel, yet the heart of a modern metropolis pulses all around us. Right near the highly-central Leicester Square, Goodwin’s Court is a secret place where time seems to have stood still. Buildings in the Georgian style, old-fashioned store fronts, bow windows from the 1700s and gaslights offer an unexpected view of London. And to think that in the ‘30s, this street connecting St Martin’s Lane and Bedfordbury escaped demolition by a hair - the old buildings mentioned by Charles Dickens in Bleak House seemed an offence to the progressively modern urban landscape. Where, in the 1800s, children once ran barefoot as their parents munched green peas on their doorsteps, at the start of the new millenium, Chris Columbus found inspiration for the set of Harry Potter - it seems that Goodwin’s Court was the model for Knockturn Alley, the twin street of Diagon Alley which, in the novels of Joanne Rowling, hosts shops dedicated to witchcraft. Today, Goodwin’s is, above all, a street hosting offices and other activities connected with the world of the theatre. But when night falls, especially when it’s foggy out, don’t be surprised if you hear the padded gait of Sherlock Holmes.
From an intimate self-portrait to a contemporary global presence, a new retrospective at Tate Modern explores the life, art and legacy of Frida Kahlo. Curated by the Museum of Fine Arts, Houston, the exhibition will feature more than 130 works by the Mexican painter.
An exhibition celebrates Edwin Austin Abbey, a 19th-century American artist, showcasing his study for the monumental work The Hours created for the Pennsylvania State Capitol.
With The Erotics of Passage, Jimmy Robert proposes an experience that involves body, object, image and text, in an exhibition path where memory becomes a performative and visual moment that invites the spectator to confront his own perception of time, body and identity.
Grateful Dead co-founder Bobby Weir performs his first London concert in more than two decades, showcasing the best of his Rock repertoire in symphonic arrangements by composer Giancarlo Aquilanti.