From Bob Dylan to Jimi Hendrix, from Elton John to Led Zeppelin, they all graced the illustrious illustrated doorway of Earl’s Court at the edge of Chelsea.
地址: 263-267 Old Brompton Rd, Earl's Court, London SW5 9JA
When Bob Dylan went to London for the first time, the only advice his mentor Pete Seeger gave him was to look for “Anthea at the Troubadour”. It was 1962 and the café in Chelsea was already a legend in the music and countercultural scene. The twenty-one-year-old singer stepped through the ornate door and found Anthea Joseph, the young local event organiser - he would play on Christmas under the name of Blind Boy Grunt. In the rough-edged Earl’s Court, the Troubadour’s name evoked images of Medieval minstrels but it was actually the beating heart of a contemporary revolution. Here, the raw satire of Private Eye was born, as well as the pacifist movement CND, against nuclear proliferation. The Black Panthers would meet here in 1968 after the protests in Paris. However, the Troubadour is, foremost, associated with Rock and Roll and Folk and Blues - Bob Dylan, Jimi Hendrix, Joni Mitchell, Elton John, Elvis Costello, Morrissey and Led Zeppelin - they all played here in legendary concerts or sudden improv jams. Unlike the other cafés of that era, the Troubadour never closed. It changed owners more than once but without betraying its roots, renovated and enlarged so it could continue hosting the biggest names in music - from Amos Lee to Adele, from Morcheeba to Ed Sheeran, from Paolo Nutini to Jack Peñate and the Dead 60s.
Wayne Thiebaud: The Sweet Melancholy of Everyday Life
The Courtauld Gallery presents the first major UK exhibition of Wayne Thiebaud. Through paintings and prints from the 1960s, ice creams, cakes and pinball machines become an epic yet melancholic portrait of American consumer culture.
Marie Antoinette: The Queen of Style Who Never Goes Out of Fashion
Featuring more than 250 works, from personal jewels and court dress to creations by Dior, Chanel and Vivienne Westwood, the show traces Marie Antoinette’s lasting impact on fashion, the decorative arts and visual culture.
The Courtauld Gallery in London reveals an unexpected side of Barbara Hepworth: the sculptor who painted emptiness. Hepworth in Colour intertwines form and pigment in a vivid story where colour does not decorate but breathes within the material.
At the Royal Academy, A Story of South Asian Art explores Mrinalini Mukherjee’s work and her creative circle, including her mentors and colleagues. Through her textile sculptures and site-specific connections, the exhibition redefines contemporary sculpture with roots in South Asian Modernism.