In 1971, a young elementary school teacher rented the back of a shop on Kings Road. The heart of Swinging London in the ‘60s, the former private road of Britain’s Kings had already seen the invention of the mini-skirt in the atelier of Mary Quant. But the best was yet to come. The new tenant was none other than Vivienne Westwood, who occupied number 430 with companion Malcolm McLaren, future manager of the Sex Pistols. The hippy utopia was coming to an end and the United Kingdom was about to feel the shock wave of Punk. Let It Rock started as a 1950s Rock-n-Roll record store but Vivienne soon started assembling clothes in the Teddy Boy style. “I used my store as a crucible,” Westwood would later say when she became a world-famous stylist, “Malcolm and I changed the names and the decor of shop to adapt to the clothing as our ideas evolved.” And so, from Edwardian velvet to torn clothes, to safety-pins, to latex, to whips, to t-shirts with provocative writing, to DIY clothing using tubes, bottle tops and chains, it became a beacon for a street style with no taboos. Too Fast to Live, Too Young to Die, Sex and Sedictionaries are the names that appeared over its doors, while inside the boutique, memorable pages of music, fashion and youth culture were written. Would Vivienne have ever believed it if someone predicted she would become a Queen of Fashion with Royal Honours bestowed upon her? On Kings Road, the shop’s sign has been the same for some time now - World’s End, along with its emblematic clock running backwards.
The Royal Ballet and Opera dedicates five special evenings to Carlos Acosta, one of the most influential figures in international dance in recent decades. Myths and Modern Masters explores his artistic universe through a program that combines classical ballet, contemporary dance, and new interpretations of the repertoire.
The Tate Modern exhibition on Claude Monet brings together works from international collections to explore the artist’s relationship with time, light, and the transformation of the modern world.
A London exhibition traces Emilio Isgrò’s work across six decades, between visual poetry and conceptual art. Erasure emerges as a critical practice acting on language, knowledge and representation.
From 1 October 2026, the British Museum will present its first major exhibition on Korea in more than forty years. Spanning over two millennia, the show brings together treasures from Korea's leading museums and the renowned Lee Kun-hee Collection.
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