Personal spaces become acts of creative resistance in this exhibition exploring identity, roles, and alternative languages through installations, painting, photography, and performance. The works on view construct imaginary yet powerfully real environments—esthetic refuges where irony, subversion, and inclusion converge in a reflection on the transformative power of art.
The Watermelon Sisters, a performative duo with a surreal pop flair, navigate Japanese cultural codes and queer theatricality, embodying fairytale-like sisters who spread messages of love that defy imposed categories. Their performances, halfway between street action and stage ritual, are celebratory and liberating.
Ming Wong presents a sophisticated and conceptual photographic series that reimagines the myth of Susan Sontag, recreating her visual and intellectual iconography. By embodying Sontag, Wong challenges the boundaries between biography and fiction, asserting a radical cultural disobedience.
Zhi Wei constructs an intimate and intense visual narrative, where the orchid mantis becomes a symbol of beauty, desire, and predation. Between glamour and biology, their canvases evoke sensual and tragic worlds, echoing silent cinema and Art Deco symmetry.
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