<em>View from the South of the Pagoda of Monk Wansong or the Old Man of Wansong (Wansong Laoren Ta) at Xisi</em> | Photo: BabelStone (Own work) via ikimedia Creative Commons
A treasure to be sought ought painstakingly, just a short walk from the Xisi Metro Station in the heart of Beijing - a tiny pagoda from the XIII Century at the centre of a lovely walled garden with roses and pomegranates. Ancient and, for a long time, hidden. At the end of the Ming Dynasty, the pagoda was surrounded by the streets and buildings of the blossoming commercial centre that Beijing had become. The pagoda gets its name from the elderly wise man Wansong Xingxiu, a famous monk who lived from 1166 to 1246. We know as much thanks to the inscription on a tablet stating "Pagoda of the Old Man of Wansong”. Hidden but never forgotten, the pagoda was restored numerous times which is why it lasted so long. The last work was completed in 1986 in order to repair damage from an earthquake, bringing to light the original structure - seven levels of brick measuring 5 metres, emerging from structure of thin slabs of stone laid all about it, it is thought, in 1753. In 2013, to celebrate the renovation of the entire neighbourhood, the area was opened to the public. On the North and South sides of the courtyard, there are bookshops specialising in the history of Beijing, as well as an exhibition hall with objects and information related to the pagoda’s history.
Luo Bonian: Photography Between Pictorialism and Modernism
After its debut at the Jimei x Arles 2024, the exhibition on Luo Bonian arrives at the Three Shadows Photography Art Centre, showcasing the refined artistry of the photographer who blended Pictorialism and Modernism in 1930s and 1940s China.
Fissures of Being: Yang Song’s Journey Through Fragility and Revelation
Yang Song explores fragility as a path to authentic existence. Clay and light reveal the tension between the visible and the invisible, inviting reflection on nature and truth in the technological age.
States of Mind According to the Artist Hans Op de Beeck
In the gallery’s monumental downstairs space, Belgian artist Hans Op de Beeck has created a room dedicated to drawing with 13 large watercolours, as well as a projection room in which his new animated film Vanishing Point will be premiered.