Schedule: Tue - Sat 11 am - 6 pm | Sun - Mon closed
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Location: Lisson Gallery
Address: 4/F, Building D7, Yard 3 Jinhang East Road
It is not the first time that Christopher Le Brun, one of the leading British painters celebrated internationally since the 1980s, has entered the contemporary art scene in China. He had already been there in 2019 with an exhibition organized by the Lisson Gallery in Shanghai and again in 2021 with two interventions, at the Red Brick Art Museum and at the MoCAUP. An artist who ranges from figurative to abstract, who fluently engages in various disciplines, painting, sculpture and printing, Le Brun is also a public figure who has held prestigious positions, for example he was president of the Royal Academy of Arts in London from 2011 to 2019. In his new solo exhibition in Beijing he presents Phases of the Moon, a multi-panel painting that reveals the cyclical nature of his practice with a lunar motif that dates back to one of his first oil paintings and Lontano, a triptych that shares the title with a piece by the composer Gyorgy Ligeti written in 1967, which embodies the artist's belief that painting should primarily have a sensual and emotional appeal.
Poetry, color, and provocation: the creative blend of Pipilotti Rist
The exhibition invites viewers to move fluidly between intimate microcosms and expansive macro-perspectives, exploring ongoing cycles of transformation that govern bodily mechanisms, food consumption, digestion and cultivation within today’s complex ecosystems. A dynamic journey into Rist’s “Total Art”.
Fabrics, pigments, and fragments of identity: the Chinese artist explores matter and transformation, blending craft, femininity, and contemporaneity into a singular visual language.
Beyond the Human: Art and Algorithms in the New Digital World
A journey through digital art where AI, blockchain, and code reshape aesthetics, authorship, and future visions. 51 artists explore the rise of a new creative civilization.
The Chinese artist explores themes of identity and masculinity through an ironic and visionary lens. On view: a monumental triptych and two paintings that blend surrealism, social critique, and personal reflection.