Address: 400 Oxford St, Marylebone, London W1A 1AB
When Henry Gordon Selfridge built his huge department store in the West End, shopping for Londoners would never be the same. The first to understand that shopping could be a fun, seductive and multi-sensorial experience, the U.S.-born businessman was a true pioneer. The majestic Edwardian building on Oxford perfectly reflected the personality of its founder, whose only modest aspect was his height. When television was yet to exist and cinema was in its infancy, Selfridge entertained his clients better than an expo, almost like a ballroom, with a particular eye towards women. His stores, it was often said, were the “third tourist attraction of the capital” after Westminster Abbey and the Tower of London. The attention given to the window displays, “the bargain corner” and the habit of placing perfumes and cosmetics just within the entrance are just a few of the innovations credited to him. The secret was to offer a dream to every customer and, above all, never stop. In 1938, for instance, elevators were installed on Oxford Street that, in themselves only, warranted a visit to the store - the clients could shuttle up and down to various departments in bronze and cast iron boxes designed by the famed Edgar William Brandt. Today, it is possible to admire these at the Museum of London, with decorations inspired by the signs of the Zodiac, as well as exotic Japanese-inspired Swans.
An exhibition celebrates Edwin Austin Abbey, a 19th-century American artist, showcasing his study for the monumental work The Hours created for the Pennsylvania State Capitol.
London Fashion Week returns from 18 to 22 September 2025 with Spring / Summer 2026 collections. Over 250 brands, from iconic designers to emerging voices, explore sustainability, fluid aesthetics and the new directions of British fashion.
White Cube in London hosts the first UK solo exhibition of Sara Flores, a Shipibo-Conibo artist from the Peruvian Amazon. Her works blend ancestral art, spirituality, and environmental activism. The show weaves Kené patterns, natural materials, and shamanic visions into a contemporary language.
Hurvin Anderson’s first major retrospective explores twenty-five years of painting between England and Jamaica, memory and modernity, and brings together over sixty paintings by the British artist, ranging from nostalgic interiors to saturated landscapes, through a profound reflection on identity and belonging.