Schedule: Tue - Sat 10 am - 7 pm | Sun - Mon closed
Tickets: Free admission
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Location: Templon Beaubourg
Address: 30 Rue Beaubourg
Among the images that have shaped the Western imagination, one continues to stubbornly resurface: the perfect house, the cowboy, the cereal box on the breakfast table, the television always on. In the exhibition Permanent Display, hosted by Templon in Paris, Robin Kid draws on these fragments of American culture to question how collective memories are produced, archived, and transformed into commodities in the age of social media and artificial intelligence. At the center of the exhibition is LIFE, a new series inspired by a line from The Doors' The Unknown Soldier. From that image, in which news, advertising, domestic life, and violence coexist in the same visual flow, a reflection on the way information, entertainment, and consumption now flow seamlessly across the same screens is born. The works transform ordinary cereal boxes into silkscreened aluminum sculptures and juxtapose them with paintings constructed from images already reproduced countless times: commercials, news broadcasts, Westerns, television programs, and digital content. Arranged like products on supermarket shelves, these icons are replicated until they gradually lose their original meaning. Rather than evoking nostalgia, Robin Kid reflects on a prefabricated memory continually recirculated by the culture industry. An autobiographical element runs through the entire project. Growing up in a small Dutch mining town next to an American military base, the artist, as a child, observed, beyond the fence of his house, a neighborhood built for the families of American soldiers. That suburb, inaccessible yet perfectly visible, ended up merging with the images broadcast on television: cowboys, cartoons, sitcoms, and news programs contributed to constructing an imagined America even before it was real. Permanent Display thus establishes a dialogue between the new works and pieces created over the past decade, demonstrating the continuity of a research that uses the icons of mass culture not as simple pop references, but as tools to interrogate the relationship between memory, identity, and the collective imagination.
A major exhibition dedicated to Gustave Fayet, collector, painter, and patron who helped establish artists such as Gauguin, Cézanne, and Redon. A journey to discover a key figure, yet one who has remained in the shadows for too long, in the birth of modern art.
The Musée d’Orsay explores Édouard Vuillard’s long relationship with theatre, from the 1890s to the late 1930s. Cabarets, avant-garde stages, actors and set designs enter the work of one of the leading figures of the Nabis. The first exhibition devoted to the artist in France for almost twenty-five years.
The Musée d'Art Moderne de Paris presents the first major Paris museum exhibition devoted to Simone Fattal. Around one hundred works trace more than fifty years of artistic practice, where mythology, archaeology, exile and nature come together through ceramics, paintings, collages and books.
At Perrotin Paris, Emma Prempeh presents The Domain of the Stranger, her first solo exhibition in the French capital. Through paintings that weave together memory, diaspora and identity, the British artist of Ghanaian heritage explores the liminal space where home is not a place, but an experience in constant transformation.
