Entering Wang Fanseng’s works feels like crossing a threshold: a dense, pulsating world where every form seems to shift under the viewer’s gaze. Nothing is fixed, everything is in flux. In New World, the artist constructs a visual universe that escapes traditional categories, suspended between reality and imagination. Born in China and based in Beijing, Wang develops a painterly language that intertwines art history with Buddhist thought. Central to his practice is the idea of the “non-iconic”: images that do not represent a defined subject, but remain open, constantly transforming. His canvases are populated by ambiguous figures - part body, part creature, part landscape - that merge into a continuous flow. This process echoes the Buddhist concept of “emptiness”, which suggests that all things lack independent existence and arise only in relation to others. Intense, luminous colors - pinks, blues, greens - animate the surface, creating a vibrant tension between form and perception. The image becomes a visual labyrinth: there is no center, no linear path, only a multiplicity of possibilities. Rather than depicting the world, Wang Fanseng imagines a new one: fluid, interconnected, where every element participates in a constantly shifting balance.
