Teatro alla Scala, built where the ancient Church of Santa Maria alla Scala once stood, is a sacred institution for the people of Milan. Since 1940, the city’s most affluent come together on 7 December to inaugurate the theatre’s new season with a gala concert. A temple of Italian opera, the stage of La Scala has hosted the talent of historic classical composers, such as Gioacchino Rossini and Giuseppe Verdi, as well as extraordinary directors, starting with Toscanini. But it was after World War II that the glamorous star system came to this corner of the city. It was then that the season of great directors began, such as Luchino Visconti and Franco Zeffirelli, but also great voices, such as that of Renata Tebaldi, Mirella Freni, Luciano Pavarotti and Placido Domingo. But above them all was “La Divina”. When she debuted in 1950 at La Scala, it seemed that nobody really noticed her voice, perhaps too unusual, too original. But just twelve months later, Maria Callas made her breakthrough with the opera I Vespri Siciliani. It was a veritable triumph. She became so famous that a specific spot on the stage was named for her, thus called the “Punto Callas” ("Callas Point"), from which the famed soprano radiated her unforgettable voice to every corner of the theatre.
Through a series of installation interventions, spanning works of art and exhibition elements, Haris Epaminonda presents a symbolic journey in comparison with the historical avant-gardes of Futurism.
The exhibition presents an in-depth and original approach to Brassaï’s oeuvre through over 200 vintage prints, with particular attention to the extremely famous images dedicated to the French capital and its nightlife.
The unconventional approach to the world of luxury of the D&G duo in an elegant, fun and eclectic journey to rediscover the history of one of the most celebrated brands in the Milanese fashion world.
In her practice, Sang A Han explores oriental painting in its contemporary adaptation. Soft sculptures and layered paintings made with Meok (China ink), cotton fabric and stitching are the result of an intimate revisitation of tradition through a creation process that the artist herself defines performative.