In the Garden of History - the Botanical Garden of Brera
Lokasi: Orto Botanico di Brera
Alamat: Via Privata Fratelli Gabba 10
There is an oasis of green in the heart of Milan. Among the shops and majestic buildings of the historic neighbourhood of Brera, there is an ancient garden where, as early as the 1500s, monks cultivated vegetables and medicinal herbs. It was Arch-Duchess Maria Teresa of Austria who transformed it into a botanical garden in 1774 with an ambitious project to promote agriculture and art. Here, young students learned about the plant world and plants were grown for Brera’s nearby Spezieria or spice-works. A few decades later, Napoleon brought along exotic and ornamental plants and the Orto Botanico became a meeting place for all of Milan’s citizens. Today, the garden is home to scientific studies, but also a beautiful “living museum”, just a stone’s-throw away from the Pinacoteca of Brera. Restoration work in 2001 brought to light its original configuration, with two elliptical basins, an arboretum and overflowing flowerbeds. With truly useful herbs, rare species and greenhouses for tropical plants, there is a precious collection of hydrangeas and two Gingko Biloba that, at the ripe age of two-hundred-and-fifty-years old, represent the patriarchs of the garden.
150 years after the birth of the Impressionist movement, an exhibition compares the personalities and works of two painters, Paul Cézanne and Pierre-Auguste Renoir, who contributed decisively to the fortunes of Impressionism and who influenced future generations of artists.
In her practice, Sang A Han explores oriental painting in its contemporary adaptation. Soft sculptures and layered paintings made with Meok (China ink), cotton fabric and stitching are the result of an intimate revisitation of tradition through a creation process that the artist herself defines performative.
Dan Graham's Pavilions, an expression of the transience of the present
Since the mid-1960s Graham has experimented with new approaches to the work of art, demanding greater importance for the idea than its practical realization. Thanks to the complexity and originality of his work, his influence has reached the present day.
If the complexity of the approach to sculpture is indisputable, the factor that makes Pino Pascali's artistic practice so brilliant and original is another. Pascali is an artist who is always current because he was an "exhibitionist".