On Sundays in the Springtime, families, cyclists and sports enthusiasts in training populate the Naviglio della Martesana, the long navigable canal that connects Milan with the Adda river and which, since the Nineties, has been flanked by a bike path. The canal was designed by none other than Leonardo da Vinci, with the aim of connecting the city with Lake Como. Inaugurated by Ludovico il Moro in 1496, the strip of water of Martesana runs 30 kilometres from Cassina de’ Pomm, in Via Melchiorre Gioia, to Cassano d’Adda, passing parks, farms and historic villas. As early as the XVII Century, in fact, Milan’s nobility began to colonise the left bank of the canal, building their out-of-town residences. The first is in Concesa - the large Neo-Renaissance construction which, today, hosts Parco Adda Nord. Moving ahead, there is Villa Aitelli which can be seen from a distance with its octagonal tower, while Villa Borromeo is striking for its beautiful gardens and its Neo-Classical harmony with touches of the Baroque. Waving at the coypus, the cute rodents that inhabit the canal, we head South towards Gorgonzola to admire the old docks, the wash basins and the house-bridge. In Groppello d’Adda, finally, an old wooden watermill brings us back in time to its construction in 1618.
150 years after the birth of the Impressionist movement, an exhibition compares the personalities and works of two painters, Paul Cézanne and Pierre-Auguste Renoir, who contributed decisively to the fortunes of Impressionism and who influenced future generations of artists.
If the complexity of the approach to sculpture is indisputable, the factor that makes Pino Pascali's artistic practice so brilliant and original is another. Pascali is an artist who is always current because he was an "exhibitionist".
The exhibition presents an in-depth and original approach to Brassaï’s oeuvre through over 200 vintage prints, with particular attention to the extremely famous images dedicated to the French capital and its nightlife.
Picasso did not consider the art that inspired him, which moved his creative mind in an unstoppable desire to open new paths, as "primitive", he did not see a "before" and an "after" in art, there was no "other", "different" art: Picasso conceived it as a timeless Whole.